Poklong Anading’s (b. 1975, Manila, Philippines) practice utilizes a wide range of media from drawing, painting, video, installation, photography and object-making. Taking a more process-oriented and conceptual approach, his continuing inquiry takes off from issues on self-reflexivity, both of himself and others, and site-specificity in an ongoing discussion about society, time and territory.

He earned a Bachelor of Fine Arts (BFA) in painting from the College of Fine Arts, University of the Philippines (1999). He completed residencies with Big Sky Mind, Manila, Philippines (2003 to 2004), Common Room, Bandung, Indonesia (2008), Bangkok University Gallery, Thailand (2013), Selasar Sunaryo Art Space, Bandung, Indonesia (2013), Philippine Art Residency Program - Alliance Francaise de Manille in Cite Internationale des Arts, Paris, Centre Intermondes, La Rochelle in France (2014) and das weisse haus, Vienna Austria (2018). He had solo exhibitions in Galerie Zimmermann Kratochwill, Graz, Austria (2010, 2012 and 2020), Taro Nasu in Japan and Athr Gallery in Jeddah (2016), 1335MABINI in Manila, Philippines (2013, 2015, 2017, and 2019). He has been included in notable group exhibitions such as: Gwangju Biennial, South Korea (2002 and 2012), No Country: Contemporary Art for South and Southeast Asia, the first exhibition of the Guggenheim UBS Map Global Art Initiative in New York, Hong Kong and Singapore (2013 to 2014), 5th Asian Art Biennial: Artist Making Movement, National Taiwan Museum of Fine Arts, Taiwan (2015), The Shadow Never Lies, Minsheng Art Museum, Shanghai, Afterwork, Para Site, Hong Kong, China and in the Architecture Biennale for the 15th International Architecture Exhibition, Philippine Pavilion: Muhon: Traces of an Adolescent City at Palazzo Mora, Venice, Italy (2016), disco nap, ‘We Didn’t Mean To Break It (But It’s Ok, We Can Fix It), Galeria Pedro Cera, Lisbon, Portugal (2019), Far Away But Strangely Familiar’, Danubiana Museum, Bratislava, Slovakia (2019), Normal scheduling will resume shortly, Cultural Center of the Philippines, Manila (2019) and Arts in Common Artjog MMXIX, Jogya Nationa Museum, Jogyakarta, Indonesia (2019),

Anading lives and works in Manila.

Henrielle Baltazar Pagkaliwangan explores stories behind mundane yet indispensable objects to examine Philippine history and material culture. Drawing from natural history illustration, she documents personal and historical narratives through hand-pulled prints and drawings.

Pagkaliwangan graduated magna cum laude from the University of the Philippines Diliman, College of Fine Arts (Major in Studio Arts) in 2015, where she also received one of the Department of Studio Arts Outstanding Thesis Awards for her undergraduate thesis titled Taxonomy of Things. In 2017, she won the grand prize in the Don Papa Rum Art Competition, which included a one-month residency in Florence, Italy. A recipient of the Cultural Center of the Philippines’ 13 Artists Awards in 2024, her work has been exhibited in the Philippines and internationally. She is currently pursuing an MFA at the University of the Philippines, where she also serves as a teaching associate.

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Jan Balquin works across different traditional media ranging from paintings to collages often exploring the conventional notions of material and subject matter. Dealing with concepts of value, materiality, and banality, Balquin’s paintings expand to sculptural forms from traditionally two-dimensional materials. Recently, she’s been exploring ways of representing the blank canvas often focusing on its qualities of being an object. 

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Balquin (b.1989) works and lives in Quezon City. She studied Fine Arts and majored in Studio Art at the University of the Philippines Diliman and received a grant for her thesis. She has been joining exhibitions since middle school at the Philippine High School for the Arts in 2007. Balquin has been actively exhibiting since 2010 with having had 9 solo exhibitions within and outside the Metro including Art Informal, Drawing Room, West Gallery, Finale, to name a few.

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Bea Camacho (b. 1983, Manila, Philippines) is a visual artist who works in installation, performance, and video. She received her B.A. in Visual and Environmental Studies from Harvard University, where she was awarded the Albert Alcalay Prize for Outstanding work in Studio Art and the David McCord Prize for Achievement in the Arts. 

She is a recipient of the Thirteen Artists Award from the Cultural Center of the Philippines. She was also selected as an exhibiting artist for the 2006 Asian Contemporary Art Week in New York City and for the 2009 International Women Artists Biennale in Incheon, Korea. Recently, her exhibition at MO_Space, Memento Obliviscere, was shortlisted for the Ateneo Art Awards 2018.

Her work has been exhibited in galleries internationally, including the Japan Society (New York), Osage Gallery (Hong Kong and Singapore), Ikkan Art Gallery (Singapore), Valentine Willie Fine Arts (Kuala Lumpur and Manila), Silverlens (Manila), Finale Gallery (Manila), MO_Space (Manila), and Green Papaya Art Projects (Manila). She has also shown her work in institutions including the Cultural Center of the Philippines, National Museum of the Philippines, Metropolitan Museum of Manila, Museum of Contemporary Art and Design in Manila, the Musee d'Art Moderne in St. Etienne, Kyoto Art Center, Hangaram Museum, EuGon Museum of Photography, Triennale di Milano Design Museum, Queens Museum of Art, Institute of Contemporary Art in Boston and the Tate Modern.

Roberto Chabet (1937–2013) was a pioneering Filipino conceptual artist, curator, and teacher. Known for his experimental works, ranging from paintings, drawings, collages, sculptures, and installations made out of mostly ordinary and found material, Chabet insists on a more inclusive approach to art. In his works, abstraction and the everyday collide, creating spaces for new meanings.

Chabet was the founding Museum Director of the Cultural Center of the Philippines (CCP) where he initiated the Thirteen Artists Awards in 1970 to support young artists whose works show “recentness and a turning away from the past.” After his brief tenure at the CCP, he led the alternative artist group Shop 6, and taught for over thirty years at the University of the Philippines, College of Fine Arts and at key artist-run spaces in Manila. Since the 70s until his death in 2013, he supported and curated exhibitions of young Filipino artists.

Chabet is the recipient of the JD Rockefeller III Fund Grant (1967–1968), the Republic Cultural Heritage Award (1972), the Araw ng Maynila Award for the Visual Arts (1972), and the CCP Centennial Award of Honours for the Arts (1998). He was posthumously awarded the Gawad CCP Para Sa Sining in 2015.

Pardo de Leon’s paintings are reminiscent of the style of the old European Masters, and she is known for her distinctive style of painting marked by a ‘sense of line, gesture, and touch.’ Belonging to a generation of painters whose works are mainly based on found photographic imagery, de Leon approaches painting both intuitively and methodically. Working adeptly in both abstraction and figuration, she confronts conventions in painting through the juxtaposition of images, the layering of different forms and motifs, or by zooming in on particular aspects and details of the subject.

Pardo de Leon graduated with a degree in Painting from the UP College of Fine Arts in 1987. She was a recipient of the CCP Thirteen Artists Award in 1988. She also received a studio residency grant from the Italian-Swedish Cultural Foundation in Venice, Italy in 1999, which was awarded the best show of the year by the state council. De Leon has had numerous solo and group exhibitions at various galleries and museums including the Cultural Center of the Philippines, Finale Art File, MO_Space, Blanc Gallery, Manila Contemporary, Valentine Willie Fine Art, and the Institute of Contemporary Art – La Salle College of the Arts. She currently lives and works in Baguio City.

Nilo Ilarde (b. 1960) is a conceptual artist and curator whose works navigate the intersections between image and word, drawing and writing, and surface and painting. Using both found and constructed objects, he assembles amalgams of image and text that  comment on both the formal and conceptual conditions of art and language. He strips and mines his subjects to reveal their history and materiality and in the process creates forms of both declaration and negation. 

Ilarde studied Painting at the University of the Philippines College of Fine Arts. Since the 80s, he has been exhibiting his works and curating exhibitions at various galleries and alternative spaces in Manila, including the Cultural Center of the Philippines, The Pinaglabanan Galleries, Finale Art File, West Gallery, Mag;net, MO_Space, Art Informal, and Underground. His works have also been featured in several international exhibitions and art fairs including solo presentations at Art Basel Hong Kong and Art Stage Singapore, both in 2015 and at Art Fair Philippines in 2018.  He is also the co-founder of King Kong Art Projects Unlimited and was one of the lead curators of ‘Chabet: 50 Years’ in various venues in Singapore, Hong Kong, and Manila from 2011–2012.

Geraldine Javier (b. 1970, Philippines) lives and work in the Philippines. Javier has held many solo and group exhibitions in her home country since 1995, and since 2004, she has been exhibiting her works internationally. She is recognized as one of the most celebrated Southeast Asian artists both in the academic and art fields. Her works revolve around the universal world of spirituality rather than concentrating on a specific religion. Javier’s interests root from the artist’s personal history of having lived her whole life struggling with the catholic culture in the Philippines, and are manifested through the unique region-specificity of Southeast Asia, in which the influx of Western culture has been naturalized. In other words, Javier goes beyond the logic behind religion, to pursue fundamental values that can be collectively embraced.

Javier was one of the artists who received the Thirteen Artists Award of Cultural Center of the Philippines in 2003.

Celine Lee (b. 1993, Philippines) is a visual artist currently based in Manila, Philippines. Lee’s body of work revolves around fundamental scientific and mathematical concepts and principles in an attempt to understand the present.

Since the beginning of her artistic career, Lee has been producing works with the use of different materials and media; often focusing on process and materiality. Whether in the form of a painting, a sculpture, an embroidery piece, or multimedia work, Lee explores the ability of visual perception and spatial recognition to invoke concepts that extend beyond form.

Celine Lee graduated with honors from The University of Santo Tomas in 2015 with a BFA degree Major in Painting. Lee’s fourth solo exhibition entitled, The Length and Breadth of Depth held at Underground Gallery in 2020, was shortlisted in the 2021 Ateneo Art Awards Fernando Zóbel Prizes for Visual Art. She has also recently won an award of merit in the 2020 Philippine Art Awards. She has held four solo exhibitions to date, and is actively participating in group exhibitions within and outside of Metro Manila.

Audrey Lukban (b. 1997, Manila; lives and works in Taguig City) completed her Bachelors in Fine Art at Winchester School of Art, University of Southampton, graduating with First Class Honours in 2018.  

Audrey is a multidisciplinary artist, working on various forms dependent on her concept. Often, she explores the fragile nature of time and reflects on her ever-evolving identity as an individual in her 20s. She invites her audience to take an intimate look into her life through journal-like paintings, drawing inspiration from her Filipino culture, familial affairs and the mundane. Throughout her practice, she has used installation, performance and organized feast-like symposiums as necessary and radical forms to draw out narratives from audiences, which allows them to reflect on their identity and their culturally- driven judgements.  

In the past, she has had several group exhibitions and held organized symposiums in Manila and London; notably in Pinto Museum and Tate Exchange.

Christina Quisumbing Ramilo (b. 1961) examines and reimagines objects and their contexts through comprehension of material and site specificity. Her artistic practice involves an interest in and respect for the life and history of objects. With minimal intervention on their surfaces, she arranges them or reconfigures their parts, presenting other perspectives to their forms and functions. Often using unconventional materials (construction discards, architectural fragments, casts, recycled paper), and utilizing objects themselves as material (mirrors, bottles, old frames, clothing), most of which have been collected for years, she constructs the works in parts over long periods of time, never completely finished. Conferred with titles that employ wit and humor, they ultimately express her personal poetries.

Ramilo lives and works in the Philippines as a full-time artist and curator.

It is with timelessness that Elaine Roberto-Navas (b. 1964) works her brush and palette over canvas. With subjects ranging from flowers to furniture, from the sky to water, she paints with oil in thick strokes; the object appears swathed in movement. Still life or landscape as they may be considered, they move with each glance, and if you stare, the motion starts to permeate outside the four corners of her paintings. What Roberto-Navas captures in her work is not merely an object in nature, but its spirit in movement, and together with her technique, artistry, and will, her paintings exist in a timelessness that might outlive us all, yet carry our humanity onwards.

Elaine Roberto-Navas graduated with BA in Psychology from Ateneo de Manila University (1985), and a Fine Arts degree, Major in Painting from the University of the Philippines (1991). Roberto-Navas has received various awards including the Jurors’ Choice Awards from the Art Association of the Philippines (1994, 1995), the Honorable Mention from the Philip Morris Philippine Art Awards (1995), and the Honorable Mention from the Philip Morris Singapore Art Awards (2002). She has shown at the Ayala Museum, Silverlens Gallery, Finale Art File, MO_Space, Art Informal, West Gallery, UP Vargas Museum, the Cultural Center of the Philippines, and Valentine Willie Fine Art in Singapore to name a few.

Yasmin Sison (b. 1972) graduated from the University of the Philippines, with a Bachelor’s Degree in Humanities and then in the Fine Arts, Major in Painting. She was a member of the collective Surrounded by Water, and is the recipient of the Cultural Center of the Philippines Thirteen Artists Award (2006). She was also shortlisted for the Ateneo Art Awards (2007).  

Sison has shown in both solo and group exhibitions locally and abroad since 1996, in spaces such as West Gallery, Valentine Willie Fine Arts in Malaysia, Artesan Gallery in Singapore, Artinformal, Manila Contemporary, Silverlens Gallery, Blanc Gallery, and the Owen James Gallery in New York, to name a few. She has participated in international group exhibitions in Belgium (2000), Singapore (2002), and Italy (2009). 

Gerardo Tan (b. 1960) works across various media from painting, collage, artist books to video, found objects, and installation to deal with conceptual plays and issues of representation. He recreates images culled from the world of art and mass media in order to subvert hierarchies and give way to new itinerant meanings.

Tan took his BFA at the University of the Philippines and his MFA at the State University of New York in Buffalo, USA. He has participated in several international exhibitions including Pause (4th Gwangju Biennial, 2002), Signs of Life (First Melbourne Biennial, 1999), The 3rd Asian Art Biennial Bangladesh (Osmani Memorial Hall, Dhaka, 1986), and The 2nd Asian Art Show (Fukuoka Art Museum, 1982). His recent solo exhibitions are Points of Departure (Noestudio, 2013 Madrid, Spain), Hablon Redux and Other Transcriptions (Random Parts, Oakland, USA, 2016) and Visualizing Sound (Jorge B. Vargas Museum, Philippines, 2019).

He was conferred the 13 Artists Award by the Cultural Center of the Philippines in 1988. His other distinctions include the Fulbright-Hays Grant at SUNY Buffalo (1990-92), the Barbara Schuller’s Art Associates Award in Buffalo, NY (1992) and the Juror’s Choice at the Art Association of the Philippines Annual Competition in 1997.

MM Yu (b. 1978) lives and works in Manila, Philippines. Her photographs evoke the ever-changing cultural texture and topology of Manila as seen through its inhabitants, the city’s infrastructure and its waste product as it archives not only the economy but also the ecology of life in the myriad forms it takes in the city. 

These recorded static scenarios show through their thematic variety the artist’s interest in discovering and valuing the fleeting moment present even in its simplest components. The diverse elements in her works not only underscore the inability of photography to account for fractured temporality. Through her ongoing interest in deciphering the enigma of the unseen landscape of ordinary things, they also force us to rethink what our minds already know and rediscover what our eyes have already seen.

The impact lies in how photography is employed to investigate another subject namely that of memory. By consolidating a series of routine snapshots traversing the streets of Manila. The hybrid and density of MM Yu’s subjects remind us of how objects and signs are not necessarily self-contained but take part in larger systems of interaction.

MM Yu received her BFA Painting from the University of the Philippines and completed residencies with Big Sky Mind, Manila (2003), Common Room Bandung Residency Grant and Cité Internationale des Arts in Paris, France (2013). She is a recipient of the Cultural Center of the Philippines 13 Artist Award (2009), the Goethe Institute Workshop Grant (2014), and the Ateneo Art Awards (winner in 2007, shortlisted in 2011). She was also a finalist for the Sovereign Asian Art Prize (2010).