Bless Us Anyway
Geraldine Javier
14 September – 13 October 2019
Curated by
14 September – 13 October 2019

The exhibition Bless Us Anyway by Geraldine Javier opened at MO_Space Main Gallery in 14 September 2019 and ran until 13 October 2019.
About the Artist
About the Artists

Geraldine Javier (b. 1970 in Makati City, Philippines; lives and works in Batangas, Philippines) is one of the Philippines’ most important and collected contemporary artists. With a Nursing degree from the University of the Philippines that included a top rank in the licensure exams, she took a second university degree in Fine Arts, and pursued an art practice. Since 1995, she has held more than 30 solo exhibitions in the Philippines, Malaysia, South Korea, Singapore, Germany, and China. From 1999 to 2003 she was a member of the Surrounded by Water collective.
Much of her early work was in collage form but it was with paintings that she established her reputation as an inventive artist. These were characterized by either melancholy or wit: death and childhood were frequent subject matters. By 2008, she was making fabric works with the paintings and combining them in installations; exhibitions were a mixture of paintings, installations, and objects. Paintings would often have collaged elements, notably preserved beetles and butterflies.
In 2013, she moved south from Manila to the countryside in the district of Batangas. Her work increasingly dealt with our relationship with nature. Current projects often involve the participation of the women in the community where she lives. She has exhibited at the Havana Biennial, in 2019, and the Helsinki Biennale in 2024
Related Exhibitions
About the Artists
About the Artist
Geraldine Javier (b. 1970 in Makati City, Philippines; lives and works in Batangas, Philippines) is one of the Philippines’ most important and collected contemporary artists. With a Nursing degree from the University of the Philippines that included a top rank in the licensure exams, she took a second university degree in Fine Arts, and pursued an art practice. Since 1995, she has held more than 30 solo exhibitions in the Philippines, Malaysia, South Korea, Singapore, Germany, and China. From 1999 to 2003 she was a member of the Surrounded by Water collective.
Much of her early work was in collage form but it was with paintings that she established her reputation as an inventive artist. These were characterized by either melancholy or wit: death and childhood were frequent subject matters. By 2008, she was making fabric works with the paintings and combining them in installations; exhibitions were a mixture of paintings, installations, and objects. Paintings would often have collaged elements, notably preserved beetles and butterflies.
In 2013, she moved south from Manila to the countryside in the district of Batangas. Her work increasingly dealt with our relationship with nature. Current projects often involve the participation of the women in the community where she lives. She has exhibited at the Havana Biennial, in 2019, and the Helsinki Biennale in 2024
















