It’s Natural to Imagine Jungles

Nona Garcia, Maria Taniguchi

29 November 2011 – 02 January 2012

Curated by 

29 November 2011 – 02 January 2012
It’s Natural to Imagine Jungles: Nona Garcia & Maria Taniguchi | MO_Space

IN THE BLACK:

Tropical images have transformed themselves in abstracted blueprints, as if horizons and grids of still terrain is a mere ruse of its own hostility.

We hear something — a machine — CHURNING and POUNDING. Constant. Rhythmic. Though the sound is slightly familiar, we're not sure what it is yet. Hold for a few seconds and then

It is space that is contained, the geometric spaces masquerading the abyss. This abyss is no anarchy, but a conscious concert —

CUT TO:

1 INT. REC ROOM – MORNING


The sound belongs to a regular old TREADMILL like you see in most gyms across the world. Running on it: SAM BELL, mid thirties, thick beard, handsome, striking blue eyes.

— it’s humming without a song, really, disturbing shifts of Morning and Graveyard.

Sam's face is flushed and glistening with sweat. He lunges for a towel draped over the treadmill's bar, dabs his face as he runs.

Following a routine for two, the routine — so much like a domestic chore — is isolating, singular —

We see OUTSIDE THE WINDOW: A gray, powdery landscape stretching beneath a BLACK SKY.

CUT TO:

2 EXT. MOON – MORNING


Aerial view of the Earth's only natural satellite, the camera roaming about a hundred feet off the surface.

— instead of finding the one and only natural satellite of the Earth when you look out the window, you find a hologram of your planet holding onto a linear vast.

Desolation. Serious, uncompromising, desolation. This place makes Antarctica look like Tokyo.

It is a mistake to forget the flatness of the earth, even though we strove to simplify the Earth. Infinity is a stretch, held in horizons out of proportion with one another, rather than a hollow sculptural thing.

Parker, Nathan. Moon, script. IMSDb, November 2007,
http://www.imsdb.com/scripts/Moon.html.

In Nona Garcia’s work, the photographic image is examined and rigorously unpicked in the process of becoming painting. The spatial and temporal are synced into a resonant but somehow ambient image. In her work, polarities in conceptual intention and material display are nimbly positioned in a tight circuit of associations.

She received a BFA in Painting at the University of the Philippines. Her work has been shown and collected extensively throughout the region. She was the recipient of the Cultural Center of the Philippines 13 Artist Award in 2003. Her work has been featured in numerous publications such as Post-Tsunami Art published by Damiani, Without Walls: A tour of Philippine Paintings at the Turn of the Millennium, and Phaidon’s Painting Today. Recent shows include Synonyms, Finale Art File, 2010; Fractures, West Gallery, 2010; Prague Biennale 2009; This is not a Fairytale, G23, Bangkok; Latitudes: Encounters with the Philippines, Primo Marella Milano, 2010; Futura Manila, Osage Singapore, 2008.

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Maria Taniguchi studies relationships between objects and their environment in order to frame, measure, and uncover the methodology through which they are constituted. Operating throughout different media—from video to painting, drawing and sculpture—she traces, sublimates or abstracts these processes. The work emerges from merging ethnography, modernism, and a two-way analysis of objects through their material patterns on one hand and their social organization. 

She received a BFA in Sculpture at the University of the Philippines, and completed an MFA in Art Practice at Goldsmiths, University of London. She was a LUX Associate Artist for 2009–2010. Her videos are archived by the Moving Image Archive of Contemporary Art, Tokyo. Recent shows include Young London, V22 Collection, London; Echo Studies, Vargas Museum, Philippines; Video e identidad cultural en Filipinas: 1999-2009, CaixaForum, Barcelona; Roving Eye: Video from Southeast Asia, Sorlandets Kunstmuseum, Norway; Slip Sensor (Part 2), Cell Project Space, London.

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Exhibition Documentation

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  • It’s Natural to Imagine Jungles 1
    Acrylic on canvas
    90 x 120 mm
    2011
  • It’s Natural to Imagine Jungles 2
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 3
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 4
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 5
    Acrylic on canvas
    90 x 120 mm
    2011
  • It’s Natural to Imagine Jungles 6
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 7
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 8
    Acrylic on canvas
    90 x 120 mm
    2011
  • It’s Natural to Imagine Jungles 9
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 10
    Acrylic on canvas
    90 x 120 mm
    2011
  • It’s Natural to Imagine Jungles 11
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 12
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 13
    Acrylic on canvas
    120 x 180 mm
    2011
  • It’s Natural to Imagine Jungles 14
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 15
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 16
    Acrylic on canvas
    90 x 120 mm
    2011
  • It’s Natural to Imagine Jungles 17
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 18
    Acrylic on canvas
    120 x 160 mm
    2011
  • It’s Natural to Imagine Jungles 19
    Acrylic on canvas
    90 x 120 mm
    2011
  • It’s Natural to Imagine Jungles 20
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 21
    Acrylic on canvas
    60 x 80 mm
    2011
  • It’s Natural to Imagine Jungles 22
    Acrylic on canvas
    90 x 120 mm
    2011
  • It’s Natural to Imagine Jungles 23
    Acrylic on canvas
    120 x 160 mm
    2011
  • It’s Natural to Imagine Jungles 24
    Acrylic on canvas
    90 x 120 mm
    2011
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Video Catalogue

About the Artist

About the Artists

Nona Garcia

Image courtesy of Queensland Art Gallery
Nona Garcia

Nona Garcia (b. 1978) received a BFA in Painting at the University of the Philippines (UP). Her work has been shown and collected extensively throughout the region. She was the recipient of the Grand Prize for the Philip Morris Group of Companies ASEAN Art Award (2000), the Cultural Center of the Philippines 13 Artists Award (2003), and the residency program at Cross Currents, Bangkok (2004). Her work has been featured in numerous publications such as Post-Tsunami Art published by Damiani, Without Walls: A tour of Philippine Paintings at the Turn of the Millenium, and Phaidon’s Painting Today.

Garcia has shown at Finale Art File, West Gallery, the Prague Biennale (2009), G23 in Bangkok, the Primo Marella Milano, Valentine Willie Fine Art Singapore, Osage Gallery Singapore, the Bencab Museum in Baguio City, ARNDT Berlin, and Blanc Gallery, to name a few.

Maria Taniguchi

Artist portrait courtesy of Mark Nicdao
Maria Taniguchi

Maria Taniguchi (b. 1981, Dumaguete City) currently lives and works in Manila. She received her Bachelor in Fine Arts in Sculpture at the University of the Philippines and her Masters in Fine Arts, Art Practice at Goldsmiths, University of London. She was a LUX Associate Artist (2009–10), and recipient of the Ateneo Art Awards (2011, 2012), the residency program of the HIWAR | Conversations in Amman of the Khalid Shoman Foundation (2013), and the Hugo Boss Asia Art Award for Emerging Asian Artists (2015). She has participated in solo and group exhibitions in various galleries and institutions including the Vargas Museum, Silverlens Gallery, the Flauxia Milano, the M HKA Museum of Contemporary Art in Antwerp, the Jim Thompson Art Center in Bangkok, Para Site Hong Kong, ZKM Centre for Art and Media in Karlsruhe, Germany, the Ibid, London, and the 8th Pacific Triennial at Queensland Art Gallery, Gallery of Modern Art, Australia, among others.

No items found.

About the Artists

About the Artist

Nona Garcia (b. 1978) received a BFA in Painting at the University of the Philippines (UP). Her work has been shown and collected extensively throughout the region. She was the recipient of the Grand Prize for the Philip Morris Group of Companies ASEAN Art Award (2000), the Cultural Center of the Philippines 13 Artists Award (2003), and the residency program at Cross Currents, Bangkok (2004). Her work has been featured in numerous publications such as Post-Tsunami Art published by Damiani, Without Walls: A tour of Philippine Paintings at the Turn of the Millenium, and Phaidon’s Painting Today.

Garcia has shown at Finale Art File, West Gallery, the Prague Biennale (2009), G23 in Bangkok, the Primo Marella Milano, Valentine Willie Fine Art Singapore, Osage Gallery Singapore, the Bencab Museum in Baguio City, ARNDT Berlin, and Blanc Gallery, to name a few.

Nona Garcia

Image courtesy of Queensland Art Gallery

Maria Taniguchi (b. 1981, Dumaguete City) currently lives and works in Manila. She received her Bachelor in Fine Arts in Sculpture at the University of the Philippines and her Masters in Fine Arts, Art Practice at Goldsmiths, University of London. She was a LUX Associate Artist (2009–10), and recipient of the Ateneo Art Awards (2011, 2012), the residency program of the HIWAR | Conversations in Amman of the Khalid Shoman Foundation (2013), and the Hugo Boss Asia Art Award for Emerging Asian Artists (2015). She has participated in solo and group exhibitions in various galleries and institutions including the Vargas Museum, Silverlens Gallery, the Flauxia Milano, the M HKA Museum of Contemporary Art in Antwerp, the Jim Thompson Art Center in Bangkok, Para Site Hong Kong, ZKM Centre for Art and Media in Karlsruhe, Germany, the Ibid, London, and the 8th Pacific Triennial at Queensland Art Gallery, Gallery of Modern Art, Australia, among others.

Maria Taniguchi

Artist portrait courtesy of Mark Nicdao
No items found.

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